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Saul Bellow

Humboldt's Gift

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With his uncanny wit and perception, Saul Bellow tells the story of Charlie Citrine, a young man whose life is reaching a critical moment. Over several years, Charlie’s almost obsessive love of literature has led him into a deep friendship with the renowned poet Von Humboldt Fleisher, and when Humboldt dies, the young man’s life rapidly begins to unravel. A stalling career and an ugly divorce feed Charlie’s instability, and he engages in dubious friendships and an unwise liaison with the wrong woman. Amidst the chaos of a life in shambles, Charlie emerges by virtue of a legacy left by his departed companion, a legacy that offers him a glimpse of a new trajectory.
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662 páginas impresas
Publicación original
2015
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Citas

  • Rishika Dembanicompartió una citahace 7 meses
    Suppose, then, that after the greatest, most passionate vividness and tender glory, oblivion is all we have to expect, the big blank of death. What options present themselves? One option is to train yourself gradually into oblivion so that no great change has taken place when you have died. Another option is to increase the bitterness of life so that death is a desirable release. (In this the rest of mankind will fully collaborate.) There is a further option seldom chosen. That option is to let the deepest elements in you disclose their deepest information. If there is nothing but nonbeing and oblivion waiting for us, the prevailing beliefs have not misled us, and that’s that. This would astonish me, for the prevailing beliefs seldom satisfy my need for truth. Still the possibility must be allowed. Suppose, however, that oblivion is not the case? What, then, have I been doing for about six decades? I think that I never believed that oblivion was the case and by five and a half decades of distortion and absurdity I have challenged and disputed the alleged rationality and finality of the oblivion view.
  • Rishika Dembanicompartió una citahace 7 meses
    Moreover, there were the dead to think of. Unless I had utterly lost interest in them, unless I were satisfied to feel only a secular melancholy about my mother and my father or Demmie Vonghel or Von Humboldt Fleisher, I was obliged to investigate, to satisfy myself that death was final, that the dead were dead. Either I conceded the finality of death and refused to have any further intimations, condemned my childish sentimentality and hankering, or I conducted a full and proper investigation. Because I simply didn’t see how I could refuse to investigate. Yes, I could force myself to think of it all as the irretrievable loss of shipmates to the devouring Cyclops. I could think of the human scene as a battlefield. The fallen are put into holes in the ground or burned to ash. After this, you are not supposed to inquire after the man who gave you life, the woman who bore you, after a Demmie whom you had last seen getting into a plane at Idlewild with her big blond legs and her make-up and her earrings, or after the brilliant golden master of conversation Von Humboldt Fleisher, whom you had last beheld eating a pretzel in the West Forties.
  • Rishika Dembanicompartió una citahace 7 meses
    For me the self-conscious ego is the seat of boredom. This increasing, swelling, domineering, painful self-consciousness is the only rival of the political and social powers that run my life (business, technological-bureaucratic powers, the state). You have a great organized movement of life, and you have the single self, independently conscious, proud of its detachment and its absolute immunity, its stability and it’s power to remain unaffected by anything whatsoever—by the sufferings of others or by society or by politics or by external chaos. In a way it doesn’t give a damn.

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