Those Who Leave and Those Who Stay, Elena Ferrante
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Elena Ferrante

Those Who Leave and Those Who Stay

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Part of the bestselling saga about childhood friends following different paths by “one of the great novelists of our time” (The New York Times).
In the third book in the New York Times–bestselling Neapolitan quartet that inspired the HBO series My Brilliant Friend, Elena and Lila have grown into womanhood. Lila married at sixteen and has a young son; she has left her husband and the comforts her marriage brought and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which has opened the doors to a world of learned interlocutors and richly furnished salons. Both women are pushing against the walls of a prison that would have seen them living a life of misery, ignorance, and submission. They are afloat on the great sea of opportunities that opened up for women during the 1970s. And yet, they are still very much bound to each other in a book that “shows off Ferrante’s strong storytelling ability and will leave readers eager for the final volume of the series” (Library Journal).
“One of modern fiction’s richest portraits of a friendship.” —NPR
Este libro no está disponible por el momento.
472 páginas impresas
Publicación original
2014

Opiniones

Olga Nerusheva
Olga Nerushevacompartió su opiniónhace 3 años
👍Me gustó

К концу третьей части, прочитанной взахлёб, начинает казаться, что и у этого сериала первые сезоны были самые классные.

Michael Holm
Michael Holmcompartió su opiniónhace 2 años
👍Me gustó
🎯Justo en el blanco
🚀Adictivo

Nebojsa Dosevski
Nebojsa Dosevskicompartió su opiniónhace 2 años
🔮Profundo
💡He aprendido mucho
💞Romántico
🚀Adictivo

Citas

Yetz
Yetzcompartió una citahace 2 meses
woman had been found in a flowerbed
Maria Gorelova
Maria Gorelovacompartió una citahace 3 meses
He was a small man but had the prominent belly of a gourmand.
GalaMeza
GalaMezacompartió una citahace 4 meses
He wanted the subtlety of her mind with all its ideas. He wanted her imagination. And he wanted her without ruining her, to make her last. He wanted her not to screw her—that word applied to Lila disturbed him. He wanted to kiss her and caress her. He wanted to be caressed, helped, guided, commanded. He wanted to see how she changed with the passage of time, how she aged. He wanted to talk with her and be helped to talk. You understand? He spoke of her in way that to me, to me—when we are about to get married—he has never spoken. I swear it’s true. He whispered: My brother Marcello, and that dickhead Stefano, and Enzo with his cheeky face, what have they understood of Lina? Do

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