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Patrick Radden Keefe

Say Nothing

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{"strong"=>["SHORTLISTED FOR THE ORWELL PRIZE FOR POLITICAL WRITING 2019"]}
{"strong"=>["A NEW YORK TIMES BESTSELLER"]}
{"strong"=>["‘A must read’ Gillian Flynn"]}
One night in December 1972, Jean McConville, a mother of ten, was abducted from her home in Belfast and never seen alive again. Her disappearance would haunt her orphaned children, the perpetrators of this terrible crime and a whole society in Northern Ireland for decades.
In this powerful, scrupulously reported book, Patrick Radden Keefe offers not just a forensic account of a brutal crime but a vivid portrait of the world in which it happened. The tragedy of an entire country is captured in the spellbinding narrative of a handful of characters, presented in lyrical and unforgettable detail.
A poem by Seamus Heaney inspires the title: ‘Whatever You Say, Say Nothing’. By defying the culture of silence, Keefe illuminates how a close-knit society fractured; how people chose sides in a conflict and turned to violence; and how, when the shooting stopped, some ex-combatants came to look back in horror at the atrocities they had committed, while others continue to advocate violence even today.
Say Nothing deftly weaves the stories of Jean McConville and her family with those of Dolours Price, the first woman to join the IRA as a front-line soldier, who bombed the Old Bailey when barely out of her teens; Gerry Adams, who helped bring an end to the fighting, but denied his own IRA past; Brendan Hughes, a fearsome IRA commander who turned on Adams after the peace process and broke the IRA’s code of silence; and other indelible figures. By capturing the intrigue, the drama and the profound human cost of the Troubles, the book presents a searing chronicle of the lengths that people are willing to go to in pursuit of a political ideal, and the ways in which societies mend — or don’t — in the aftermath of a long and bloody conflict.
{"strong"=>["LONGLISTED FOR THE 2019 ORWELL PRIZE FOR POLITICAL WRITING."]}
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683 páginas impresas
Publicación original
2018
Año de publicación
2018
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  • Алиса Калита Алиса Калитаcompartió una citahace 2 años
    The historian Alvin Jackson has written that, for Adams, democratic action ‘was a way of liquidating the otherwise unrecoverable political capital amassed by the gunmen’.

    In one of his conversations with Anthony McIntyre, Brendan Hughes said something similar, in the form of a metaphor. Think of the armed struggle as the launch of a boat, Hughes said, ‘getting a hundred people to push this boat out. This boat is stuck in the sand, right, and get them to push the boat out and then the boat sailing off and leaving the hundred people behind, right. That’s the way I feel. The boat is away, sailing on the high seas, with all the luxuries that it brings, and the poor people that launched the boat are left sitting in the muck and the dirt and the shit and the sand, behind.’
  • Алиса Калита Алиса Калитаcompartió una citahace 2 años
    One theme that I had become fascinated with as a journalist was collective denial: the stories that communities tell themselves in order to cope with tragic or transgressive events. I became intrigued by the idea that an archive of the personal reminiscences of ex-combatants might be so explosive: what was it about these accounts that was so threatening in the present day? In the intertwining lives of Jean McConville, Dolours Price, Brendan Hughes and Gerry Adams, I saw an opportunity to tell a story about how people become radicalised in their uncompromising devotion to a cause, and about how individuals – and a whole society – make sense of political violence once they have passed through the crucible and finally have time to reflect.
  • Алиса Калита Алиса Калитаcompartió una citahace 2 años
    Anthony McIntyre was also harshly critical of the effort to prosecute Rea. How will the truth of what really happened during the Troubles ever come out, he asked, if the authorities file murder charges against anyone who has the nerve to talk about it? ‘I would describe the PSNI stance as one of prosecuting truth, rather than procuring truth,’ he said in an interview.

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