The Letters of J. R. R. Tolkien

itself. But if lit. teaches us anything at all, it is this: that we have in us an eternal element, free from care and fear, which can survey the things that in 'life' we call evil with serenity (that is not without appreciating their quality, but without any disturbance of our spiritual equilibrium)

Are you still inventing names for the nameless flowers you meet? If so, remember that the old names are not always descriptive, but often mysterious! My best inventions (in elvish of the Gnomish dialect) were elanor and nifredil; though I like A-S symbelmynë or evermind found on the Great Mound of Rohan. I think I shall have to invent some more for Sam's garden at the end.

Harebell and emended it to Hairbell. I don't know whether it will interest you, but I looked up the whole matter of this name once — after an argument with a dogmatic scientist. It is plain (a) that the ancient name is harebell (an animal name, like so many old flower-names), and (b) that this meant the hyacinth not the campanula. Bluebell, not so old a name, was coined for the campanula

Sam is the most closely drawn character, the successor to Bilbo of the first book, the genuine hobbit. Frodo is not so interesting, because he has to be highminded, and has (as it were) a vocation. The book will prob. end up with Sam.

What happens to the Ents I don't yet know. It will probably work out very differently from this plan when it really gets written, as the thing seems to write itself once I get going, as if the truth comes out then, only imperfectly glimpsed in the preliminary sketch. ...

sudden unhoped-for happy ending, I was deeply moved and had that peculiar emotion we all have – though not often. It is quite unlike any other sensation. And all of a sudden I realized what it was : the very thing that I have been trying to write about and explain – in that fairy-story essay that I so much wish you had read that I think I shall send it to you. For it I coined the word 'eucatastrophe': the sudden happy turn in a story which pierces you with a joy that brings tears (which I argued it is the highest function of fairy-stories to produce). And I was there led to the view that it produces its peculiar effect because it is a sudden glimpse of Truth, your whole nature chained in material cause and effect, the chain of death, feels a sudden relief as if a major limb out of joint had suddenly snapped back. It perceives – if the story has literary 'truth' on the second plane (for which see the essay) – that this is indeed how things really do work in the Great World for which our nature is made.

From a letter to Christopher Tolkien
28 October 1944 (FS 58)
This empty year is fading into a dull grey mournful darkness: so slow-footed and yet so swift and evanescent. What of the new year and the spring? I wonder.

There seems no time to do anything properly; and I feel tired all the time, or rather bored. I think if a jinn came and gave me a wish – what would y ou really like? – I should reply: Nothing. Go away!...

I have the autumn wanderlust upon me, and would fain be off with a knapsack on my back and no particular destination, other than a series of quiet inns. One of the too long delayed delights we must promise ourselves, when it pleases God to release us and reunite us, is just such a perambulation, together, preferably in mountainous country, not too far from the sea, where the scars of war, felled woods and bulldozed fields, are not too plain to see. The Inklings have already agreed that their victory celebration, if they are spared to have one, will be to take a whole inn in the country for at least a week, and spend it entirely in beer and talk, without reference to any clock!

Much though I love and admire little lanes and hedges and rustling trees and the soft rolling contours of a rich champain, the thing that stirs me most and comes nearest to heart's satisfaction for me is space, and I would be willing to barter barrenness for it; indeed I think I like barrenness itself, whenever I have seen it. My heart still lingers among the high stony wastes among the morains and mountain-wreckage, silent in spite of the sound of thin chill water. Intellectually and aesthetically, of course; man cannot live on stone and sand, but I at any rate cannot live on bread alone; and if there was not bare rock and pathless sand and the unharvested sea, I should grow to hate all green things as a fungoid growth. ...