Daunt Books Publishing

Daunt Books Publishing is an independent publisher based in London. Founded in 2010, we grew out of Daunt Books, an independent chain of bookshops in London and the South-East. We publish the finest and most exciting new writing in English and in translation, whether that’s literary fiction — novels and short stories — or narrative non-fiction, including essays and memoir.

We also publish modern classics, reviving authors who have been overlooked and publishing them in bold editions with introductions from the best contemporary writers. We are responsible for bringing the work of Sybille Bedford, Dorothy Baker, M.F.K. Fisher, Natalia Ginzburg and Vivian Gornick back into print. In 2020 we launched Daunt Books Originals, an imprint for bold and inventive new writing in English and in translation. The first authors on this list include Elisa Shua Dusapin (translated by Aneesa Abbas Higgins), Kathryn Scanlan, Amina Cain, Brenda Navarro (translated by Sophie Hughes) and Brandon Taylor.

Daunt Books Publishing is part of the Independent Alliance. Our books are distributed by Faber & Faber in the UK or available to buy in our shops and on our website.
vida del autor: 2010 – actualidad

Citas

Ivana Melgozacompartió una citahace 2 años
The visions which overwhelm her no longer have anything to do with the ritual decrees of her oracle. She ‘sees’ the future because she has the courage to see things as they really are in the present.
Ivana Melgozacompartió una citahace 2 años
And Kerényi, the Hungarian mythology researcher and religion scholar, dedicates to the ‘highly esteemed’ Mann, as an opening gift, the idea of the ‘wolfish,’ the ‘dark’ Apollo. This, by Mann’s own admission, touches on the ‘roots’ of Mann’s ‘intellectual existence.’ The two men have in common their burning interest in the ‘deeper psychic reality’ behind myth (a word which among the Greeks meant nothing other than ‘the true word,’ ‘the facts,’ later ‘the facts about the gods’). So, there was a ‘dark’ underground and background to the ‘god of light.’ This claim plainly contradicts the received opinion about Apollo, the Greek god who was pushed farthest of all into the realm of the ‘bright’ and the ‘spiritual.’ It removes him from the unfruitful antinomy of the pair of opposites, ‘Apollonian’ and ‘Dionysian.’ It also confirms the ambivalence which Thomas Mann seems to feel in his urge to identify origins: ‘Who can say where the stories originated, above or below?’
Ivana Melgozacompartió una citahace 2 años
Thomas Mann, 1941, in a letter to Kerényi: ‘…  and what ought my element to be at present, if not myth plus psychology? I have long been devoted to this combination; for in fact psychology is the means to take myth out of the hands of the Fascist obscurantists and to “reconvert” it to a humane function. For me this alliance represents nothing less than the world of the future, a humanity that is blessed by the mind from above, and “from the deep-lying abyss.” ’ The embryo outline of a utopia. What can all this mean today, when those who are planning the annihilation of entire continents are, in the general understanding, neither obscurantists nor Fascists, and do not go to the trouble of trimming a Germanic or Roman pantheon to size, to serve their ends? To be sure, they too need myths, in the sense the word has meanwhile acquired: in the sense of a false belief. An example of such a myth would be that we are living in a peace that has a future in it.

Now the year is 1947, and for Thomas Mann ‘exile’ is (as he predicted in 1941) ‘no longer a waiting state aimed at homecoming,’ but instead, paradoxically, has become a kind of anticipation, the anticipation of a future
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