Tess Vaughn's mother married a Russian money man and died three years later in a car she didn't own. Tess inherited half of everything — and a stepbrother, Lev Sarkov, who deals the other half and has never once called her family.

Then the will surfaces. A clause: the estate stays inside the bloodline. The only way either of them keeps the ports is to marry each other.

They hate each other in writing. The prenup takes four lawyers and a week. He puts cameras in the halls. She moves the paintings. Forty dinners, forty silences.

Then Tess finds her mother's diary in a wall safe. It names the man who killed her — and it's Lev's father. She can burn it, use it, or hand it to the man she married. She hands it to him.

He reads it at the table in one sitting. Then he walks into the garden, and neither of them has to lie about the will again.

Nadia Blackwood

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