en
Mark McLelland

Boys Love Manga and Beyond

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Boys Love Manga and Beyond looks at a range of literary, artistic and other cultural products that celebrate the beauty of adolescent boys and young men. In Japan, depiction of the “beautiful boy” has long been a romantic and sexualized trope for both sexes and commands a high degree of cultural visibility today across a range of genres from pop music to animation.In recent decades, “Boys Love” (or simply BL) has emerged as a mainstream genre in manga, anime, and games for girls and young women. This genre was first developed in Japan in the early 1970s by a group of female artists who went on to establish themselves as major figures in Japan's manga industry. By the late 1970s many amateur women fans were getting involved in the BL phenomenon by creating and self-publishing homoerotic parodies of established male manga characters and popular media figures. The popularity of these fan-made products, sold and circulated at huge conventions, has led to an increase in the number of commercial titles available. Today, a wide range of products produced both by professionals and amateurs are brought together under the general rubric of "boys love,” and are rapidly gaining an audience throughout Asia and globally.This collection provides the first comprehensive overview in English of the BL phenomenon in Japan, its history and various subgenres and introduces translations of some key Japanese scholarship not otherwise available. Some chapters detail the historical and cultural contexts that helped BL emerge as a significant part of girls' culture in Japan. Others offer important case studies of BL production, consumption, and circulation and explain why BL has become a controversial topic in contemporary Japan.
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  • Валерий Корнеевcompartió una citahace 10 años
    Hagio, on the other hand, did set her two early shōnen’ai narratives in German boarding schools. And yet she credits the 1964 French film Les amitiés particulières (These Special Friendships), first shown in Japan in 1970, as the inspiration for The Heart of Thomas, which she had begun working on before “November Gymnasium
  • Валерий Корнеевcompartió una citahace 10 años
    Funny later that same year, another rock-themed work, Minegishi Hiromi’s single-episode manga “Crossroads” (Jūjika), crossed both racial and sexual barriers by featuring a male homosexual relationship between two young men, one white and one black (figure 3.1).18 While both of these manga works
  • Валерий Корнеевcompartió una citahace 10 años
    While Tezuka is well-known for his innovative graphic techniques that advanced the plot and evoked emotive responses in readers, the internal psychology of female characters was of little interest to Tezuka but became a central element in the shōjo manga of the 1970s
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