Greek drama arose out of the cult of Dionysos, who, god of fruitage, joyfulness and earliest art, offered in his life-story a practical groundplan for the erection of a tragic and a comic theatre.
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marketable goodness which makes it possible to give comfortable assent to propositions without ordering one’s life in accordance with them.
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His training had early developed a very lively sense of spiritual obligations at the expense of what is called “common sense.”
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the curve of an emotion.
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Yet the past assuredly implies a fluid succession of presents, the development of an entity of which our actual present is a phase only.