Woyzeck, Georg Büchner
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Georg Büchner

Woyzeck

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The NHB Drama Classi series presents the world's greatest plays in affordable, highly readable editions for students, actors and theatregoers. The hallmarks of the series are accessible introductions (focussing on the play's theatrical and historical background, together with an author biography, key dates and suggestions for further reading) and the complete text, uncluttered with footnotes. The translations, by leading experts in the field, are accurate and above all actable. The editions of English-language plays include a glossary of unusual words and phrases to aid understanding.

Woyzeck is one of the most performed and influential plays in German theatre. A modern classic that remains frighteningly relevant today.

Franz Woyzeck, a lowly soldier stationed in a provincial German town, is bullied by his superiors and starved by the regiment's doctor in the name of scientific experiment. His only pleasures in life are his lover Marie and their innocent young son. But when Woyzeck learns that Marie has been unfaithful with the regiment's handsome Drum Major, he murders his lover in a fit of rage and hopelessness.

Based on a real-life murder trial that took place in Germany in the 1820s, the play was written in 1837 but not staged until 1913.

This edition, translated by Gregory Motton, includes an introduction by Kenneth McLeish, a chronology and suggestions for further reading.

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Andrija Ilić
Andrija Ilićcompartió su opiniónel mes pasado

Fragmentation dramaturgy

Gloria Nanfuka
Gloria Nanfukacompartió una citahace 5 meses
It was as if it had been written not sixty years before but yesterday, as if its author were a contemporary not of Schiller and Beethoven but of such experimental, twentieth-century innovators as Picasso, Stravinsky and D.W.
Wenyu Hu
Wenyu Hucompartió una citahace 8 meses
WOYZECK and ANDRES splitting wood. ANDRES whistles.
b4717260677
b4717260677compartió una citahace 3 años
It is to Büchner’s combination of radical fervour and physical timidity that we owe his plays. In five desperate weeks in 1835, penniless and on the run from the secret police, he
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