en
Anna Kavan

ICE

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'A strange and compelling classic of dystopian and climate fiction, one that with foreboding and deep compassion maps the psyche and the terrain of dislocation' — Jeff VanderMeer
'One might become convinced that Kavan had seen the future' — New Yorker
Ice will soon cover the entire globe. As the glacial tide creeps forward, society breaks down. Hurtling through the frozen chaos is a nameless narrator, seeking the white-haired girl he once loved, desperate to rescue her — or perhaps to annihilate her. Through nightmarish, ever-shifting scenes, she flees him and his powerful enemy, the Warden. But none of them can outrun the ice.
Anna Kavan's masterwork is an apocalyptic vision of environmental devastation and possessive violence, rendered in unforgettable, propulsive, hallucinatory prose.
Part of the Pushkin Press Classics series: timeless storytelling by icons of literature, hand-picked from around the globe.
With an introduction by Christopher Priest, author of The Prestige and The Inverted World.
Anna Kavan (1901–1968) was born Helen Woods, the only child of wealthy British expatriates, and grew up travelling through Europe and America. She began publishing under her married name, Helen Ferguson, having left her husband in Burma and returned with her son to live in England. After a mental breakdown in the 1930s she began writing under a new name, taken from one of her characters, and with a new style. She continued writing for another three decades, while frequently using heroin and undergoing several rounds of psychiatric hospitalisation. She died shortly after the publication of Ice, her most celebrated work.
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184 páginas impresas
Propietario de los derechos de autor
Bookwire
Publicación original
2025
Año de publicación
2025
Editorial
Pushkin Press
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  • Alejandra Espinocompartió su opiniónhace 3 años
    👍Me gustó
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    🎯Justo en el blanco
    💞Romántico
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Citas

  • Alejandra Espinocompartió una citahace 3 años
    We were trapped by those encircling walls, a ring of ghostly executioners, advancing slowly, inexorably, to destroy us. I could not move, could not think
  • Alejandra Espinocompartió una citahace 3 años
    In Ice the symbols are more elusive, mysterious, captivating. It ends as it begins, with nothing that is practical or concluded
  • Alejandra Espinocompartió una citahace 3 años
    exercise of human feeling about science, if not an understanding of it. But it is not allegory
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