But opening for the Rolling Stones is a shite job anyway. I can’t recommend it to anybody. You get the offer and you think, “Historically speaking, they’re the second most important rock band in the history of music, after the Beatles. So we should have a brush with history.” But the fact is, the Rolling Stones’ audience today is lawyers and doctors and CPAs and contractors and real estate development people. This is a conservative, wealthy group. No one’s rocking out. The ticket prices and merchandise costs are astronomical. It’s more like “Let’s go to the Rolling Stones mall and watch them play on the big screen.”
The whole experience is horrible. First you get there, and they won’t let you do a sound check. Then they give you an eightieth of the stage. They set apart this tiny area and say, “This is for you. You don’t get the lights, and you’re not allowed to use our sound system. And oh, by the way, you see that wooden floor? That’s Mick’s imported antique wood flooring from the Brazilian jungle, and that’s what he dances on. If you so much as look at it, you won’t get paid.” You’re basically like a little TV set on the stage, playing your show as eighty-five thousand wealthy, bored-out-of-their-minds fans are slowly finding their seats. They’re all wearing their Rolling Stones letter jackets and leafing through their catalogs, deciding which Rolling Stones T-shirt and which pair of Rolling Stones slacks they’re going to get. We were the music to be played for ushering, seating, snack-getting, and clothes-buying. It was a nightmare.