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Matthew Dicks

Storyworthy

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A five-time Moth GrandSLAM winner and bestselling novelist shows how to tell a great story — and why doing so matters.
Whether we realize it or not, we are always telling stories. On a first date or job interview, at a sales presentation or therapy appointment, with family or friends, we are constantly narrating events and interpreting emotions and actions. In this compelling book, storyteller extraordinaire Matthew Dicks presents wonderfully straightforward and engaging tips and techniques for constructing, telling, and polishing stories that will hold the attention of your audience (no matter how big or small). He shows that anyone can learn to be an appealing storyteller, that everyone has something “storyworthy” to express, and, perhaps most important, that the act of creating and telling a tale is a powerful way of understanding and enhancing your own life.
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359 páginas impresas
Publicación original
2018
Año de publicación
2018
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  • Soliloquios Literarioscompartió una citahace 4 años
    Then how am I supposed to teach them about photosynthesis?” he asked.

    “Why not tell the story of the first time you learned about photosynthesis?” I said. “Or a time when you taught photosynthesis? Instead of stopping the story completely to explain the process, why not offer a scene in the form of a flashback that also explains photosynthesis? Just keep telling a story.”
  • Soliloquios Literarioscompartió una citahace 4 años
    In order to achieve this lofty goal, storytellers must do one thing, and happily for you, it’s exceedingly simple:

    Always provide a physical location for every moment of your story.

    That’s it. If the audience knows where you are at all times within your story, the movie is running in their minds. The film is cycling from reel to reel. If your audience can picture the location of the action at all times, you have created a movie in the mind of your listeners. Hopefully it’s a good one
  • Soliloquios Literarioscompartió una citahace 4 años
    Change the order of the story if the real-life order did not adhere to narrative expectations. The world does not always bend to serve our stories best, so we must sometimes bend reality instead
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