Soon after October 7th, Hisham Awartani and two Palestinian friends were shot on the street in Vermont. At home in the West Bank, he contemplates the prospect of Israeli annexation.
The CNN anchor and chief White House correspondent talks with the guest host Clare Malone about covering the Trump Administrations—and how Trump’s circle isn’t as hostile as it seems.
Federal employees share what life is like under DOGE cuts, and why they’re speaking out. Plus, the novelist talks about Annie Proulx’s 1997 story, which eventually became a hit film.
Gawande, until recently a senior leader at U.S.A.I.D., explains the agency’s importance to America and to the world, and what its undoing by DOGE will bring.
The former senator faces prison time for accepting bribes in cash and gold, and for related crimes. Then he made a thinly veiled plea to the President he had once voted to impeach.
The Minnesota governor, who was Kamala Harris’s running mate, on what went wrong for the Democrats in 2024, and what they should do now that Donald Trump is back in the White House.
The Pennsylvania senator says the Administration is dumping “three feet of raw sewage” on America, “and we have a Dixie cup” to bail it out. But Democrats have to work with Trump.
The staff writer and the cartoonist share their picks from the archive—an essay by Joan Didion, and a caveman cartoon by George Booth—to celebrate The New Yorker’s centennial.
Anthony Romero, the head of the A.C.L.U., says that the United States is on the brink of a constitutional crisis. “We’re at the Rubicon. Whether we’ve crossed it remains to be seen.”
Two of the filmmakers, Basel Adra and Yuval Abraham, discuss the challenges and the threat of violence they faced making a film about Israel’s occupation of the West Bank.
The staff writer Jelani Cobb talks about the Trump Administration’s attempts to root out policies of diversity, equity, and inclusion—which it describes as discriminatory.
The longtime staff writer Dana Goodyear talks about the devastation of the wildfires that devastated her house and thousands of other buildings in the Los Angeles area.
The New Yorker editor Susan Morrison on Lorne Michaels, the producer who still runs “S.N.L.” with an iron hand. Plus, Tina Fey reads The New Yorker’s review of the show from Season 1.
“Donald Trump is a master of picking appointees for very senior positions who never would have gotten those jobs under anyone else,” the staff writer Susan B. Glasser says.