Quicksand

If you couldn’t prove your ancestry and connections, you were tolerated, but you didn’t “belong.”

No family. That was the crux of the whole matter. For Helga, it accounted for everything, her failure here in Naxos, her former loneliness in Nashville.

Bitterly she reflected that James had speedily and with entire ease fitted into his niche. He was now completely “naturalized,” as they used laughingly to call it. Helga, on the other hand, had never quite achieved the unmistakable Naxos mold, would never achieve it, in spite of much trying. She could neither conform nor be happy in her unconformity.

the fact that she was utterly unfitted for teaching, even for mere existence, in Naxos. She was a failure here. She had, she conceded now, been silly, obstinate, to persist for so long. A failure. Therefore, no need, no use, to stay longer.

It couldn’t be spanned by one sympathetic teacher. It was useless to offer her atom of friendship, which under the existing conditions was neither wanted nor understood.

This great community, she thought, was no longer a school. It had grown into a machine. It was now a showplace in the black belt, exemplification of the white man’s magnanimity, refutation of the black man’s inefficiency. Life had died out of it. It was, Helga decided, now only a big knife with cruelly sharp edges ruthlessly cutting all to a pattern, the white man’s pattern. Teachers as well as students were subjected to the paring process, for it tolerated no innovations, no individualisms. Ideas it rejected, and looked with open hostility on one and all who had the temerity to offer a suggestion or ever so mildly express a disapproval. Enthusiasm, spontaneity, if not actually suppressed, were at least openly regretted as unladylike or ungentlemanly qualities.

f she were to get away from Naxos with anything like the haste which she now so ardently desired.

Knowing full well that it was important, she nevertheless rebelled at the unalterable truth that it could influence her actions, block her desires

Black, very broad brows over soft, yet penetrating, dark eyes, and a pretty mouth, whose sensitive and sensuous lips had a slight questioning petulance and a tiny dissatisfied droop, were the features on which the observer’s attention would fasten; though her nose was good, her ears delicately chiseled, and her curly blue-black hair plentiful and always straying in a little wayward, delightful way.

because Naxos Negroes knew what was expected of them