en
Frédéric Beigbeder

Windows on the World

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A daring, moving fictional account of the last moments of a father and his two sons atop the World Trade Centre on September 11.
‘The only way to know what took place in the restaurant on the 107th Floor of the North Tower, World Trade Center on September 11th 2001 is to invent it.'
Weaving together fact and fiction, empathy and dark humour, autobiography and intellect, ‘Windows on the World’ dares to confront the terrifying image that has come to define our world, the image onto which we project our fears, our compassion, our anger, our incomprehension.
Beigbeder is a fierce, furious, infuriating chronicler of human iniquity and human suffering, and this book is a controversial, yet surprisingly humane attempt to depict the most awful event of recent memory.
Este libro no está disponible por el momento.
228 páginas impresas
Año de publicación
2010
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Citas

  • DaryaDcompartió una citahace 7 años
    figure-hugging pantsuits
  • Inhumanum Lupuscompartió una citahace 8 años
    The novelty of this story is that everyone dies at the same time in the same place. Does death forge bonds between people? It would not appear so: they do not speak to each other. They brood, like all those who got up too early and are munching their breakfast in a lavish cafeteria. From time to time, some take photos of the view, the most beautiful view in the world. Behind the square buildings, the sea is round; the slipstreams of the boats carve out geometric shapes. Even seagulls do not come this high. The customers in Windows on the World are strangers to one other for the most part. When, inadvertently, their eyes meet, they clear their throats and bury their noses in their newspapers PDQ. Early September, early morning, everyone is in a bad mood: the holidays are over, all that’s left is wait it out until Thanksgiving. The sky is blue, but no one is enjoying it.
  • Kochkin Andreicompartió una citahace 4 años
    A novelist who does not write realistic novels understands nothing of the world in which we live.
    Tom Wolfe

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