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Sam Seidel

Hip Hop Genius

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Many educators already know that hip-hop can be a powerful tool for engaging students. But can hip-hop save our schools? In Hip Hop Genius, Sam Seidel introduces an iteration of hip-hop education that goes far beyond the usual approach of studying rap music as classroom content and looks instead at deeply honoring the knowledge of urban students. Seidel lays out a vision for how hip-hop's genius—the resourceful creativity and swagger that took it from a local phenomenon to a global force—can lead to a fundamental remix of the way we think of teaching, school design, and leadership.

Through stories about the professional rapper who founded the first hip-hop high school and the aspiring artists currently enrolled there, Hip Hop Genius invites readers to think outside the (boom)box about what hip-hop education can mean and to consider the implications that a broader definition of hip-hop education could have on their teaching and learning experiences.
This book is for all of the educators in need of new solutions and all the hip-hop heads who know hip-hop is far more than music. It is for everyone who refuses to watch brilliant young people slip through the cracks and is down to take action.

View Sam's YouTube trailer for the book here
Este libro no está disponible por el momento.
224 páginas impresas
Publicación original
2011
Año de publicación
2011
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    Brooklyn-born Jay-Z returned to the mic in 2005, a year after becoming president and CEO of Def Jam Recordings, to spell it out for anyone who didn’t understand: “I’m not a businessman, I’m a business, maaan!”13
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    Does the edge exist because you’re poor, or does the edge exist because you’re willing to challenge your reality in ways others may not?” asks hip-hop artist and activist Rha Goddess.12 She cautions against falling into a paradigm in which struggling and starving are romanticized as prerequisites for creativity. The racism, classism, and ageism that inspired the birth of hip-hop still exist and continue to instigate innovations, but hip-hop cannot and should not be defined by desperation.
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