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George Saunders

George Saunders was born December 2, 1958 and raised on the south side of Chicago. In 1981 he received a B.S. in Geophysical Engineering from Colorado School of Mines in Golden, Colorado. He worked at Radian International, an environmental engineering firm in Rochester, NY as a technical writer and geophysical engineer from 1989 to 1996. He has also worked in Sumatra on an oil exploration geophysics crew, as a doorman in Beverly Hills, a roofer in Chicago, a convenience store clerk, a guitarist in a Texas country-and-western band, and a knuckle-puller in a West Texas slaughterhouse. After reading in People magazine about the Master's program at Syracuse University, he applied. Mr. Saunders received an MA with an emphasis in creative writing in 1988. His thesis advisor was Doug Unger.He has been an Assistant Professor, Syracuse University Creative Writing Program since 1997. He has also been a Visiting Writer at Vermont Studio Center, University of Georgia MayMester Program, University of Denver, University of Texas at Austin, St. Petersburg Literary Seminar (St. Petersburg, Russia, Summer 2000), Brown University, Dickinson College, Hobart & William Smith Colleges. He conducted a Guest Workshop at the Eastman School of Music, Fall 1995, and was an Adjunct Professor at Saint John Fisher College, Rochester, New York, 1990-1995; and Adjunct Professor at Siena College, Loudonville, New York in Fall 1989.He is married and has two children.His favorite charity is a project to educate Tibetan refugee children in Nepal.

Libros

Citas

Nathanielcompartió una citahace 2 años
If a person gives his life to save another person, and the saved person never thinks about it, doesn’t appear grateful, seems unchanged by it, it makes us wonder about the value of the sacrifice. It also makes us wonder about the person saved.

It also makes us wonder about the writer.
Nathanielcompartió una citahace 2 años
The narration in “The Nose,” it turns out, is a particular Russian form of unreliable first-person narration called skaz. Imagine an actor telling a story in character. And that character is…not right. He is, per the literary critic Viktor Vinogradov, “sharply characterized by his substandard speech.” According to another critic, Robert Maguire, the Gogolian skaz narrator “has little formal education and little idea of how to develop an argument, let alone talk in an eloquent and persuasive way about his feelings, although he wishes to be considered informed and observant; he tends to ramble and digress and cannot distinguish the trivial from the important.” The writer and translator Val Vinokur adds (and this we’ve already begun to notice) that the resulting story is distorted by “improper narrative emphasis” and “misplaced assumption.” As Maguire puts it, the narrator’s “enthusiasms outrun common sense.”
Nathanielcompartió una citahace 2 años
So, this isn’t graceless writing; this is a great writer writing a graceless writer writing. (And not only that: it’s a great writer writing a graceless writer writing about a world in which a severed nose winds up in a loaf of bread.)

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    George Saunders
    A Swim in a Pond in the Rain
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